List of Works: Divine Southgate-Smith, Downstairs: TEETH KISSIN’ ‘‘History is so much more than just a historical document’’ (2023), Playlist in conversation with Daniel Kabuya, Distributed on Spotify, LIVE Edit; ‘‘FOR TOMORROW’’ (2023), Archival digital collage, Inkjet, EPSON Matt Photo Paper, Metal Binder, 100cm x 160cm; ‘‘...COMME UN JOUR’’ (2023), Collage of research, Laser Print, Recycled Paper, Metal Clip, Size variable; ‘NEATH THE MANGO TREE, TOMORROW IS MY TURN, WATERING SEEDS, READING IN-BETWEEN SPACES, OWARE (2023) From the series TEETH KISSIN’ What I’ve Been Doing Lately, Archival digital collage, Giclée, Hahnemühle Bamboo mounted on Aluminium, 53cm x 61cm; Upstairs: PAST, IS MOURNING (2023), From the series MELA-9, Sculpture, Resin cast, RED, 32cm x 21cm x 15cm; I SEARCH (2023), Items from home displayed alongside Past, is mourning (2023), # At the Bottom of the River. Jamaica Kincaid (1983) # Voices from twentieth-century Africa: Griots and Towncriers. Chinweizu (1989) # TEETH KISSIN’ Where Elephants Reside. Divine Southgate-Smith (2022) # Oware, a traditional game played in West Africa and the Caribbean known to be over 15,000 years old # Kissing cup. Ceramic made and gifted by Japanese Ceramicist Sharlen Nowaza (2022) # Gifts commemorating our Ancestors. Mask of Tengu (Demi-God) accompanied by a letter from Japanese Ceramicist Sharlen Nowaza (2022) # Hosho, part of the percussion family in traditional Zimbabwean music, can also be found in Ghana # Bronze Banga Nut, wax print on Ankara cotton fabric # Communications regarding the loan of the Suku cups (object refs. 257 and 258) from the Sainsbury Centre of Visual Arts # Excel file detailing the artist's attempt at accessing images from various archives in the UK and Europe (2022) # Rejected letter for copyright usage from The British Museum (2022); PERMANENTLY ON LOAN (2023), Single-channel film, 01:59 looped sequence;